![]() ![]() I use it mostly at work to focus instead of listening to music I wish it would be possible to have an Australian version of this sound with the kookaburra yelling in the background. Reminds me of my travelling years in South East Asia and Australia. I also use the 'Unreal Ocean' noise to sleep. Thanks." I am in forth grade and this helps me to. Jungle ambience generator#I can relate to the person who posted this comment: "I'd been feeling really down and this noise generator really helped me recenter. This goes really well with Rain on a Tent. Thank you very much, now I will sleep very soundly :) I especially liked the Rain on a Tent, but even more I like the combination of that one and the sound of the jungle. And nothing is more soothing than your site with different sounds. I have tried many videos, apps and websites with soothing sounds. It's a wonderful rain generator with gibbons! (I also found a mix of Ultimate Café + Thunder and Rain that works!) Downloaded the app to see if I can find a combo for while I sleep (can't experiment with that at the office.) It's like hearing the quieter moments of Talk Talk's "Spirit of Eden" replayed using a budget General MIDI sound module: alluring, but faintly terrifying simultaneously.I just found this! Serious game changer for my ADHD brain! I'm using Jungle Noise and Rain on a Tent together to overcome the extremely annoying 'white noise' they play in our office. The title track is a slippery dubwise k-hole, all stuttered synth voices and 4D water droplets. ![]() It's exceptional music that expands Fernow's ongoing themes into IMAX levels of precision, and an ideal soundtrack to 2021's absurd attempt to rebuild a broken commercial landscape. The duo reach their peak on 'Snake Head Cemetery', bringing careful, subtle percussion into the mix and hinting at vintage dub, new age and terrifying dark ambience. 'Rains Coming Down' featuring Pacific Blue is even better, with Vainqueur-esque synths and crashing waves building into a reeling pit of rubbery bass and blunted pads that reminds us of Kimmo Rapatti aka Mono Junk’s uber-classique ‘Channel B’ - one of the greatest, most vibrant and low-swung dub techno productions of all time. It's like hearing the quieter moments of Talk Talk's "Spirit of Eden" replayed using a budget General MIDI sound module: alluring, but faintly terrifying simultaneously. This isn't an island-hopping commentary on far-off lands, it's a sly subversion of our collapsed world's attempt to mimic the "exotic" and retail it wholesale. Each sound is almost oppressively plastic, and Hallais and Fernow use this to reflect the inverse of exotica. The duo's choice of sounds is key, as they hold up a middle finger to petty synth fetishism and harness an aesthetic universe that suggests an abandoned aquarium outlet in a forgotten skymall. The mood is still dark, but now it's anxious and surreal. But Hallais coaxes out a focus and fidelity that elevates the RSE sound to another level completely.īy dialing in his dub expertise, he steers Fernow's evocative soundscapes into purely sensual locales. The core sound is still intact: waterlogged canned field recordings of storms, washing waters and tropical rainfall punctuated with swirling digital synths, endless subs and an abundance of digital delay. Thankfully, they managed to dip into the studio before retreating into their respective dens and recorded "Flying Fish Ambience", a focused, sub-heavy follow-up to 2017's acclaimed "Ambient Black Magic". ![]() If you caught Rainforest Spiritual Enslavement live in the months before lockdown, chances are you noticed that Fernow's sub-aquatic dub ambient project had been expanded to include Hallais. Chillingly sparse, world-building atmospherics and anxious sensuality for fans of Pendant, Talk Talk, Higher Intelligence Agency, Malibu or Kelman Duran. Dom Fernow and Philippe Hallais (Low Jack) pipe hyperreal environmental recordings thru glassy digital FX on this anti-exotica, dub-bient fantasea. ![]()
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